建筑师：丹尼尔·里伯斯金

地址：柏林.德国

面积：18000.0㎡

摄影：黎巴嫩建筑摄影师Bahaa Ghoussainy

In the heart of Berlin resides an architectural metaphor of invisibility, emptiness, and anarchy forged by the Second World War upon the Jewish citizens. The expansion of the original Jewish museum, which was first organized as an anonymous competition by the Berlin government, was proposed as a means of bringing back Jewish presence, retracing their culture and religion into the German city. Renowned architect Daniel Libeskind, who was chosen to develop the project, used architecture as a form of expression, and created a museum that narrates the Jewish civilization before, during, and after the Holocaust.

Lebanese architectural photographer, Bahaa Ghoussainy, captured Libeskind’s symbolic creation in a new series of raw photographs, displaying its sense of emptiness, loss of direction, and disorder. The architect’s “hopeful” intentions are distinctly exhibited in Ghoussainy’s photographs as he captures the space’s fragments of light entering through the narrow concrete passages.

在柏林的中心地带，存在着二战对犹太人造成的无形、空虚和无政府状态的建筑隐喻。最初由柏林政府以匿名竞赛的形式组织的最初的犹太博物馆的扩建，被提议作为一种把犹太人带回来的方式，追溯他们的文化和宗教进入这座德国城市。著名建筑师丹尼尔·里伯斯金(Daniel Libeskind)被选中开发该项目，他将建筑作为一种表达形式，并创建了一个博物馆，讲述大屠杀之前、期间和之后的犹太文明。

黎巴嫩建筑摄影师Bahaa Ghoussainy在一组新的原始照片中捕捉到了Libeskind的象征性创造，展示了它的空虚感、方向感和无序感。建筑师的“希望”意图在Ghoussainy的摄影作品中得到了清晰的体现，他捕捉到了从狭窄的混凝土通道进入室内的光线碎片。